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government, and he raises topics on everything from slavery to mistreatment of Native Americans to war crimes. On "Sleep Now In The Fire," Zack De La Rocha takes dead aim at a handful of atrocities carried out by the U.S. Never anything short of a "call to action," it is these words that brought countless issues around the world into the minds of millions, and inspired a generation to "question authority" and get involved. Clearly taking massive influence from the likes of Ian MacKaye and Mike Muir, on "Sleep Now In The Fire," the level of pure fury and frustration at his targets has rarely been as high, and it is why his performance here ranks as one of his best.
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Though he rarely deviated from his single note, beat-style speaking and screaming, the vocal work of De La Rocha was rarely anything short of completely mesmerizing. Yet as stunning and influential as the music of the band is, there is no question that without the vocal work of Zack De La Rocha, it is simply "not" Rage Against The Machine. The song pummels the listener from start to finish, and even during the songs' breakdown, the almost overwhelming mood is never lost, making "Sleep Now In The Fire" one of the greatest moments in the bands' history. The trio jerks around the track as a single, wild unit, and this is where one can truly hear the amount of progress they had made as a band, as the song is far more "together" than the excellent efforts on their previous two records. Rounding out the musical portion of the band is bassist Tim Cummerford, and it is his playing that whips the sound into a frenzy with his winding, agitating bassline that runs through the verses.
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Furthermore, any fan of punk rock who has done their homework will instantly recognize the opening guitar riff as a slight variation on the main riff from The Stooges' legendary song, "TV Eye." Pushing the sense of urgency on the song, drummer Brad Wilk brings an opening cadence that is quite similar to a military march before he drops into a full scale assault, sounding as if he is trying to destroy his drum kit. Taking the idea of "feedback" to an entirely new level, his work on "Sleep Now In The Fire" is some of his most aggressive, yet there is a powerful groove underneath it as well. Unquestionably one of the most innovative and talented guitarists in history, there are few performers of any instrument that have pushed the boundaries on what is capable with that instrument than Morello has with the guitar. Perhaps the only thing that Rage Against The Machine is more well known for than their firey lyrics is the mind-boggling musical performances led by Tom Morello. The bands' final studio effort, 1999's The Battle Of Los Angeles, found the group at the top of their game, and everything that make the group so fantastic can be found in their 2000 single, "Sleep Now In The Fire." Dominating the 1990's with their aggressive, unrelenting political statements and raising awareness on a large range of issues, the band created some of the most uniquely stunning music to back the brilliantly poetic yet unrelenting verses of Zack De la Rocha.
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Then of course, there is the one band that made social criticism their trademark, and few bands in history have been as polarizing or as captivating as the one and only Rage Against The Machine. From the early rallying cries of Woody Guthrie to the calls for unity of Bob Marley to the anti-everything stance of punk rock, such statements can be found across the musical spectrum and decades, as there is always "something" to fight against. Yet there are a handful of musicians throughout history that have been able to make political and social awareness work perfectly within their music, or in some cases, this type of writing WAS their music. However, the problem usually is, the band or performer in question usually takes such a different musical approach on this type of song that the argument always comes up, ".yeah, it's a good lyric, but the music is lacking." This often leads to the song being "written off" and lost among the rest of the artists' catalog, and largely loses any impact it may have had. Nearly every performer or band in the entire history of music has attempted to make a "political statement" or some sort of social critique at some point in their career. CLICK HERE TO LISTEN (will open in new tab)